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| Sharon Robinson, Leonard Cohen & Arlene |
August 1, 2012
A few weeks ago I was invited to drop into
Camp Cohen and check out a little of the rehearsal.
I didn't know how long that meant and was unsure what to expect when I got there. But I did know I wanted to be unobtrusive and discreet. So for those of you who know my
shticks so well when it comes to Leonard Cohen happenings, I took no surreptitious videos or photos. I have only my impressions and treasured memories to describe what it was like watching a Master Artist at work with his pallette of luscious instruments and enchanting voices.
Because it was that metaphor that struck me three hours later while driving home from the rehearsal studio. It was an image of
Jackson Pollock (Ed Harris in the bio movie) standing with his back to the audience while we observed him dialoguing in his own way with the colour and shape elements on a large canvas.
Whenever LC dialogued with the band, his back was to "the audience". Essentially, I was an audience of one seated on one of the three black couches often seen in Camp Cohen's postings. (A group of hard working crew were behind the couches and equipment boxes working intently in semi-darkness.)
When they started with the first song, it seemed to be one that was in the early arranging stage. LC told the band something like, "You all do your thing and we'll see how it goes". After each iteration, LC would turn to them and make suggestions, sometimes just for one bar or line. The band would sometimes try different instruments Once or twice, the singers conferred with each other trying out different harmonies. But LC was the one who decided when to revisit a bar, a line, a verse. It was thrilling to watch the progression of the song each time the song was repeated.
LC's patience was so beautiful to watch. He was creating a soundscape with very deliberate strokes.
This reminded me about a comment I once read that the key to Frank Sinatra's success was always having a talented arranger.
Well, Leonard Cohen is so "hands on", he
is his own arranger. And that's why each and every song he performs in concerts is unique and very special.
After a half hour of working on this one song, they took a short break then resumed with different songs. These songs were polished, repeated once or twice and seemed more a run through with LC practicing his choreography, kneeling and doffing his hat for some solos. He made a few tweaks here and there and for one song, a suggestion was made to pick it up by a beat or two. Yep, it worked, But of course, the first version sounded pretty good to me too.
When LC starting singing a favourite song of mine from his new album, I broke into a big smile. By the end of the song, I had tears rolling down my face.
If my memory is correct, they rehearsed six songs in two hours. Leonard Cohen is noted for having more weeks of rehearsal than is usual in the pop/rock touring business. I've been told that level of attention to detail, the determination to "nail" each song is virtually unheard of. So when you hear Leonard Cohen promise in concerts, "We'll give you everything we got", the key is his long rehearsals. They all work very hard for many weeks - Leonard Cohen, his awesome band and glorious back up singers.
I have tickets for Austin, Denver, Los Angeles and Seattle and hope to report here about the songs I heard that afternoon in one rehearsal, especially the song where I watched Leonard Cohen creating his resplendent canvas.
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- Photo at the top ~ J.S. Carenza III (aka Joey Carenza), webmaster of Greetings From Camp Cohen here
- Jackson Pollock film, POLLOCK with Ed Harris here
- I posted this comment on Facebook: Just to clarify, I was there
for basically half a rehearsal. I arrived at 3:30pm as instructed, they
began rehearsal at 4:00pm and broke for dinner in the studio around
6:30pm. That was when I left, not wishing to overstay my welcome. They
would continue to rehearse for a few more hours after dinner. The
security man told me they start at 4pm and rehearse "all night".
